RED Epic/Dragon Digital Cinema Camera

SENSOR 14 MEGAPIXEL MYSTERIUM-X™ (Epic)
PIXEL ARRAY 5120 (h) x 2700 (v)
S/N RATIO 66db
DYNAMIC RANGE 13.5 stops, up to 18 stops with HDRx™
MAX IMAGE AREA 5120 (h) x 2700 (v)
LENS COVERAGE 27.7mm (h) x 14.6mm (v) x 31.4 mm (d)
DEPTH OF FIELD Equivalent to S35mm (Motion) / APS-H (Still) lenses
Equivalent to 16mm (Motion) lens in 2K RAW
ACQUISITION FORMATS 5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)
PROJECT FRAME RATES 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
DELIVERY FORMATS* 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT HD-SDI Clean Feed
2K RGB, 1080p RGB or 4:2:2, 720p 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
MONITOR OUTPUT HD-SDI and HDMI with Frame Guides and Look Around
2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA REDMAG (SSD) Module : (64, 128, 256GB Media)
REDCODE™ 12 and 16-bit RAW : Compression choices of 18:1 to 3:1
1-120 fps 5K, 4.5K
1-150 fps 4K
1-200 fps 3K
1-300 fps 2K
AUDIO 2 channel, uncompressed, 24 bit, 48KHz.
Optional 4 channel, and AES / EBU digital audio.
MONITORING OPTIONS RED LCD 5″ Touchscreen Display
BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL Wireless, Ethernet, RS232, GPI Trigger
WEIGHT 5lbs. Body only

 

SENSOR 19 MEGAPIXEL DRAGON™
PIXEL ARRAY 6144 (h) x 3160 (v)
S/N RATIO 80db
DYNAMIC RANGE 16.5+ stops
MAX IMAGE AREA 6144 (h) x 3160 (v)
LENS COVERAGE 30.7mm (h) x 15.8mm (v) x 34.5 mm (d)
ACQUISITION FORMATS 6K RAW (2:1, 2.4:1)
5K RAW (Full Frame, 2:1, 2.4:1 and Anamorphic 2:1)
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1 and Anamorphic 2:1)
3K RAW (16:9, 2:1 and Anamorphic 2:1)
2K RAW (16:9, 2:1 and Anamorphic 2:1)
1080p RGB (16:9)
720p RGB (16:9)
PROJECT FRAME RATES 23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94 fps, all resolutions
DELIVERY FORMATS* 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
PROGRAM OUTPUT HD-SDI Clean Feed
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
MONITOR OUTPUT HD-SDI and HDMI with Frame Guides and Look Around
2K RGB, 1080p RGB or 4:2:2, 720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
DIGITAL MEDIA REDMAG (SSD) Module (64, 128, 256, 512GB Media)
REDCODE™ Compression choices of 18:1 to 3:1
12 and 16-bit RAW : Compression choices of 18:1 to 3:1
1-100 fps 6K
1-120 fps 5K, 4.5K
1-150 fps 4K
1-200 fps 3K
1-300 fps 2K
AUDIO 2 channel, uncompressed, 24 bit, 48kHz.
Optional 4 channel, and AES / EBU digital audio.
MONITORING OPTIONS RED LCD 5″ and 9” Touchscreen Display
BOMB EVF™ High Definition Viewfinder
REMOTE CONTROL Wireless, Ethernet, RS232, GPI Trigger
WEIGHT 5lbs. Body only

 

We have complete camera configurations available, from a bare body, to full-blown Production Packages.

Camera, Present Day


Leave a Reply

You must be logged in to post a comment.

Related Products